The Master of Magnetism's arc feels so very predictable; he starts off as an ambiguous figure, a tragedy pushes him to go rogue, he and the X-Men fight, and in the third act he switches sides and helps the X-Men against the real bad guys. Again, the frustrating part of this is that Magneto could have been so much more. Storm doesn't really exist as a character in X-Men: Dark Phoenix at all. Cyclops' core motivation is his love for Jean and his refusal to give up on her, but the portrayal feels like a lovestruck teenager rather than an adult in a committed relationship.
In an ideal world, X-Men: Dark Phoenix would be a Last Hurrah for one of the most important superhero franchises of the last 20 years. None of it quite s up.
Jean grey was a shadow of the real dark phoenix
Oddly, the third act did have the potential to develop Storm as a character a little. Or anyone else! Initial reports suggested this portrayal would be heavily influenced by Claremont and John Byrne's original take from the comics, which viewed Phoenix as a "schizoid identity. Quicksilver accompanies the X-Men on their trip to Red Hook, and makes a run at Jean, before being effortlessly tossed aside. While the two have shared a few kisses over the years, Jean's heart has always belonged to Cyclops, and the one time she decided she wanted to try being in a relationship with Wolverine - because of the breakdown of her marriage - Logan turned her down flat.
It's literally the exact same arc he followed in X-Men: Apocalypseexcept with Mystique's death as the motivator rather than the deaths of his wife and kids. Oddly, this is the one aspect of X-Men: Dark Phoenix that actually works. While it's a fascinating portrayal, the comics have proved that it has ificant flaws; most notably, writers have struggled to work out a role for a post-deconstruction Xavier. The tragedy of X-Men: Dark Phoenixthough, is that the very complexity that excited Turner so much was essentially cut.
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Magneto's status quo is lifted from one of the most interesting ideas in the comics, where he succeeded in becoming the leader of a mutant nation. What's more, his decision to rename the school after Jean sits uncomfortably; surely he'd have chosen to name it after Mystique, his lover and an iconic hero to mutants all over the world, the X-Men's field leader for the last decade?
Nicholas Hoult does a good job of selling the emotion, even if he isn't helped by stilted dialogue. That makes X-Men: Dark Phoenix particularly disturbing, given it features an extended sequence in which Nightcrawler goes into a Berzerker rage.
When the film ends, Beast is the new headmaster of Xavier's School, which he rechristens after Jean Grey. The scene is clearly intended to be a homage to X2: X-Men Unitedwhich featured a popular sequence in which Nightcrawler ramd through the White House; that was nowhere near so problematic, however, given Nightcrawler was under the mental control of other forces at the time, and was deeply repentant afterwards.
Rather, X-Men: Dark Phoenix appears to be a pretty trite " absolute power corrupts absolutely " - right up until the moment it abandons that idea, and Jean's love for her family somehow transcends it, allowing her to bond with the Phoenix Force. Perhaps the best explanation was provided by Turner herself, in an interview with CBRwhere she suggested that the Phoenix Force should be seen as an allegory for addiction.
It's a move he's performed countless times in the comics - in one issue he ricocheted an optic blast over a dozen times, neutralizing a swarm of killer dodgem cars - so it's nice to see this idea make its way into the X-Men films at last. From that point on she just hovers overhead tossing lightning bolts at D'Bari attackers. Quicksilver plays an important role in the space rescue, although it's unclear why he didn't teleport back into the shuttle alongside Jean Grey and Nightcrawler - he could have picked up the last astronaut much more quickly than Nightcrawler, meaning Jean may never have been left behind in the first place.
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By now, there are pretty much no similarities between Jennifer Lawrence's Mystique and the character familiar to comic book readers. It sounds like a convincing answer, but it's undermined substantially by the fact that the " love story " between Wolverine and Jean isn't an important part of the comic book version of the Dark Phoenix Saga at all.
In the end, Professor X has to acknowledge that he is more of a villain than he is a hero ; as noble as his goal may be, he's crossed far too many lines, and even used his powers to manipulate the ones he loves. It all seems rather odd, given X-Men: Dark Phoenix had demonstrated just how flexible Beast's morality is in a time of grief.
Reality intervened in the form of Disney's acquisition of the bulk of Fox's film and TV empire. A lifelong fan of major franchises including Star Wars, Doctor Who, and Marvel, Tom is delighted his childhood is back - and this time it's cool. Instead of hinting at Storm's claustrophobia, or even seeing her use her powers more creatively in an enclosed space, X-Men: Dark Phoenix simply has Storm fly out of a hole in the side of the train.
X-Men: Dark Phoenix treats Nightcrawler particularly badly. That means you'd have expected to see him grow as a character; and yet, there's no of that. In fact, in the comics Logan and Jean haven't really had that much of a romance; Wolverine has been more of a creepy stalker than a would-be suitor. Tom Bacon is one of Screen Rant's staff writers, as well as a Peer Mentor for new writers and a member of the Care Team, offering support and a listening ear to members of the Comics group. Unfortunately, it feels more of a last-second apology for the lack of serious development Cyclops has had over the duration of Fox's X-Men franchise.
Instead, Storm simply feels flat; in one scene she tries to persuade Cyclops that Jean cannot be saved, and then a few minutes later she seems barely hesitant about ing the team in a battle to save her. By Thomas Bacon Published Jun 14, Share Share Tweet 0. It's possible Evan Peters simply wasn't able to make the reshoots, so they had to take him out.
Professor x's deconstruction causes problems for his future
Curiously, X-Men: Dark Phoenix does include the single most creative use of Cyclops' powers in the movies to date. Fox even seem to have forgotten that the train was supposed to be moving at speed, given she doesn't appear to be trying to keep up with it and her clothes and hair barely blow back.
It's disappointing to see that they still think that even over a decade later. Anyone who's familiar with Nightcrawler from the comics will frankly find the Kurt Wagner of X-Men: Dark Phoenix to be utterly unrecognizable. He goes on the kind of killing spree that would make Wolverine proud, using his tail to slit throats, and teleporting foes in front of trains so they can be run down.
Had they continued, the Fox movies would have faced the same challenge, not least because Xavier needs to somehow become Headmaster of Xavier's School again by 's vision of the future in X-Men: Days of Future Past in order to not break established continuity. In the comics, Mystique is one of the X-Men's most dangerous villains, a shapeshifter who believes in mutant supremacy and is willing to kill in order to achieve her goals. It does so for every single character. In reality, there seems to be a general sense of disinterest in the film, with poor reviews and an even worse box office take.
Lawrence, for her part, his seemed increasingly disinterested with the character over the years, and in X-Men: Dark Phoenix she frankly feels as eager to leave the X-Men franchise as Mystique is to depart the team. Fox had originally intended X-Men: Dark Phoenix to mark a turning point in the franchise's history, a passing of the torch from the First Class stars of McAvoy, Lawrence, and Fassbender to the next generation. Let's take a look at all the major characters. He's heavily involved with his local church, and anyone who checks him out on Twitter will swiftly learn he's into British politics too.
The action takes place inside a train that's serving as a prison transport for the X-Men, an environment that isn't suited to Storm's powerset; what's more, in the comics, she suffers from claustrophobia, which could also have manifested in the fight. The film ends with Xavier retiring as headmaster of Xavier's School, replaced by Beast, and he withdraws from the world, clearly a broken man. It's unclear quite why Jean is falling from grace in the first place; her initial bursts of power are completely involuntary, including the one that killed Mystique.
X-Men: Dark Phoenix is a deconstruction of Xavier's Dream, and as such it shines a fascinating light on Charles Xavier's methods and motives.
Since about the mid-'90s, the X-Men comics have enjoyed conducting just this kind of deconstruction of Charles Xavier, using very similar plot devices to question his morality. In one scene in the third act, Cyclops ricochets his optic blasts in an effective attack on Magneto. The real irony is that Magneto is brought into this because Jean he to him for advice on how to change; the film proves, in pretty short order, that absolutely nothing about Magneto has changed at all.
In the movies, however, Mystique has gradually lost all complexity and nuance to become quite a flat, one-dimensional hero.
Nicholas hoult talks working with his ex-girlfriend jennifer lawrence again in x-men: dark phoenix
One of Dark Phoenix 's worst problems is its treatment of iconic X-Men characters. The real problem with Beast's arc, however, is with its resolution. A graduate of Edge Hill University, Tom remains strongly connected with his alma mater as a volunteer chaplain.
That's especially the case with the Dark Phoenix Sagawhich was written by Chris Claremont; as great a writer as Claremont may be, he has flaws, including excessive use of exposition. What's more, X-Men: Dark Phoenix shows no hint of Cyclops as a leader; Mystique has been the X-Men's field commander over the last decade, and even after her death Scott Summers doesn't step up. Finally, let's spare a thought for Quicksilver, a fan-favorite who fares even worse than Storm. It's unclear whether this is simply an act of revenge or because, in philosophical terms, he's concluded that such a powerful and volatile mutant is too great a threat to the world.
Jean grey was a shadow of the real dark phoenix
Naturally, every superhero movie plays liberties with the original comics to some extent, however faithful they attempt to be; comics and films are completely different mediums, and what works well in one medium won't translate effectively into another.
Incredibly, there's only one character arc in X-Men: Dark Phoenix that really seems to work - and that's so problematic that it's a good job the franchise is ending. Mystique's death scene was underwhelming to say the least, lacking any real emotional impact and feeling as though it existed purely to service the plot.
Whatever the truth may be, Beast he to Magneto and soon persuades the Master of Magnetism to help him try to kill Jean.
He's injured, and actually written out of the rest of the film. In an interview with Rolling Stonewriter-director Simon Kinberg explained that it was because he'd have been unable to resist using Logan as a love interest for Jean Grey. Even Michael Fassbender's acting can't stop Magneto feeling more than a little tired. But the fundamental problem with X-Men: Dark Phoenix isn't simply that the film adapts the comics and the X-Men characters; it's that it breaks them. X-Men: Dark Phoenix is the first tentpole X-Men film not to include Wolverine, but oddly there's evidence he'd have been handled just as badly as the rest of the team had he appeared.
There were reports that Fox initially planned to portray him as the head of what had essentially become a cult centered around himbut none of that complexity made it through into the movie. In the comics, the passionate and enthusiastic Kurt Wagner is a committed Catholic, with a moral code that's unparalleled among the ranks of the X-Men.
There's some evidence Alexandra Shipp's Storm originally had something of an ambiguous role, switching sides between the X-Men and Magneto, but that was cut during reshoots.
Mystique's death serves as the trigger for Beast's character arc ; bitter and broken, he rejects Charles Xavier and decides that Jean has to die. The X-Men film franchise has always seemed obsessed with the idea that Wolverine and Jean Grey should be a couple; in fact, one of the biggest flaws in X-Men: The Last Stand was the hurried way the movie killed off Cyclops in order to pursue that.